Intervju med Marja Mortensson
Kilder
1. Gaup, L. S. (2009). Joik. Riddu Riđđu senter for nordlige folk. DOI:https://urn.nb.no/URN:NBN:no-nb_digibok_2014061706039
2. Aubinet, Stephane Vincent B (2022). Bruken av ord og stavelser i samisk joik. I Karlsen, Ole & Markussen, Bjarne (Red.), Sanglyrikk. Teori - Metode - Sjangrer. Scandinavian Academic Press. ISSN 978-82-304-0342-6. s. 313–335.
3. Hilder, T. R. (2012). Repatriation, Revival and Transmission: The Politics of a Sámi Musical Heritage. Ethnomusicology Forum, 21(2), 161–179. https://doi.org/10.1080/17411912.2012.689473
4. Dubois, T. A. (1996). Native Hermeneutics: Traditional Means of Interpreting Lyric Songs in Northern Europe. The Journal of American Folklore, 109(433), 235. https://doi.org/10.2307/541530
5. Laade, R. W., & Christensen, D. (n.d.). MONOGRAPH SERIES ETHNIC FOLKWAYS LIBRARY FE 4007.
6. Ramnarine, T. K. (2009). Acoustemology, Indigeneity, and Joik in Valkeapää’s Symphonic Activism: Views from Europe’s Arctic Fringes for Environmental Ethnomusicology. Ethnomusicology, 53(2), 187–217. https://doi.org/10.2307/25653066
Intervju med Einar Selvik
Kilder
1. Nielsen, N. U. (2022). From Black Metal to Norse Revival? Mournfulness, Memories, and Meanings of Wardruna’s Rune Music. In H. Holm & Ø. Varkøy (Eds.), Musikk og religion: Tekster om musikk i religion og religion i musikk (Ch. 17, pp. 317–344). Cappelen Damm Akademisk. https://doi.org/10.23865/noasp.177.ch17 Lisens: CC-BY 4.0
2. Granholm, K. (2011). “Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music1. Numen, 58(4), 514–544. https://doi.org/10.1163/156852711X577069
3. Roe, S. (2019). Against the Modern World: NeoFolk and the Authentic Ritual Experience. Against the Modern World.
4. Sellheim, N. (2016). Black and Viking metal: How two extreme music genres depict, construct and transfigure the (sub-)Arctic. Polar Record, 52(5), 509–517. https://doi.org/10.1017/S0032247416000280
5. Van Elferen, I. (2018). Dark timbre: The aesthetics of tone colour in goth music. Popular Music, 37(1), 22–39. https://doi.org/10.1017/S0261143017000551
Intervju med Boro Baski
Kilder
1. Daricha Foundation. (n.d.). Santals. https://www.daricha.org/tribes.aspx?ID=TR140630204053&Name=Santals Date accessed: 15th October 2023.
2. Prasad, O. (1995). 11 Primal Elements in the Santhal Musical Texts. Nature (Baidyanath Saraswati), 79.
3. Kulturhistorisk Museum. (n.d.) Santali society and culture. https://www.khm.uio.no/english/collections/santal/society-and-culture/ Date accessed: 15th October 2023.
4. Bompas, C. H. (1910). Folk-lore of the Santal Parganas. The Geographical Journal, 35(2), 184. https://doi.org/10.2307/1776976
5. Inawat, R. (n.d.). Music as Cultural Heritage: Analysis of the Means of Preventing the Exploitation of Intangible Cultural Heritage, 14 J. Marshall Rev. Intell. Prop. L. 228 (2015).
6. Boro, B. (2016). Saving our heritage. D+ C, Development and Cooperation, 43(9/10), 8-9.
Tejaswinee Kelkar
Musikalsk arv er produsert av Tejaswinee Kelkar. Hun er sanger og forsker innen musikk og bevegelse. Hun er førsteamanuensis på Universitet i Oslo på Institutt for Musikkvitenskap. Hun har tidligere jobbet som dataanalytiker i Universal Music Norway og ved RITMO Center of Excellence ved Universitetet i Oslo.
Hennes forskningsinteresser er melodisk erkjennelse, bevegelsesfangst og musikalsk-kulturell analyse. Forskningsfokuset hennes er hvordan aspekter ved melodisk persepsjon illustreres gjennom multimodalitet og språklig prosodi.
Lydinstallasjon kilder
Aporee Public domain sounds:
275 Bayshore Rd, Deseronto, ON K0K 1X0, Canada: Tyendinaga Mohawk Pow Wow. Woman singing., by Andrzej Maciejewski, 12.08.2023 13:45, CC-BY-NC
4-chōme-17-13 Tsuyazaki, Fukutsu, Fukuoka 811-3304, Japan: Tsuyazaki Gion Yamakasa Festival Opening, by thomasmartinnutt, 15.07.2023 17:30, PUBLIC-DOMAIN
On the bench in Faisal Sports Park: Boy singing beautifully, by The Hospitable Ear, 11.12.2021 18:49, CC-BY-NC-SA
3 Maja, Węgorzewo, Poland: (908) Party comebacks singing, by Piotrek Zyla, 14.08.2022 03:20, PUBLIC-DOMAIN
臺灣首廟天壇, West Central Dist., Tainan City: chanting, by Wu,Tsan-Cheng, 19.05.2023 19:31, CC-BY-NC-ND
JFRP+684, Guatemala: Le trio "Nueva Illusion" : Marimba + chant, by Jean-François CAVRO, 15.06.2023 12:25, PUBLIC-DOMAIN
1 Av. Mgr Théas, 65100 Lourdes, France: religious song Sanctuary , by kaoss012, 23.09.2023 11:16, PUBLIC-DOMAIN
JX5X+FHQ, Bamako, Mali: Les enfants du quartier Mali... en chansons..., by Jean-François CAVRO, 05.02.2007 17:30, PUBLIC-DOMAIN
beijing, temple of heaven, mann singt content_copy Frank Schulte • 19.05.2008 20:55 Europe/Berlin • 2:53min. • CC-BY-SA
VCJ3+5F District de Dongcheng, Pékin, Chine: Tiantant Park - Pékin, by Jean-François CAVRO, 18.09.2004 17:15, PUBLIC-DOMAIN
Koh Bulon Lae, Thailand: drone log 06/03/2013, by carsten stabenow, 06.03.2013 17:55, PUBLIC-DOMAINdrone log 06/03/2013 content_copy
Chakkrawat, Samphan Thawong, Bangkok 10100, Thailand: drone log 10/03/2013, by carsten stabenow, 10.03.2013 17:46, PUBLIC-DOMAIN
Koh Bulon Lae, Thailand: drone log 06/03/2013, by carsten stabenow, 06.03.2013 17:55, PUBLIC-DOMAIN(zoom h2, build in mic)
Pachmarhi, Madhya Pradesh 461881, Inde: Song for Durga, by Nicolas Durand, 19.10.2015 17:45, CC-BY-SA
Urban Centre, Binga, Zimbabwe: Women's March to Freedom Square, by radio continental drift, 29.04.2016 10:43, CC-BY-SA
C. 5 de Mayo 6, Centro, 76000 Santiago de Querétaro, Qro., Mexique: Fêtes de la St-François d'Assises - cérémonie Inca, by Jean-François CAVRO, 04.10.2019 19:00, PUBLIC-DOMAIN
Kunene, Namibia: Himba chief long interwiew, by barbara, 16.10.2013 12:05, PUBLIC-DOMAIN
пр. Ленина, 102Б, Барнаул, Алтайский край, Россия, 656002: Street musician near Pioneer mall, by masterpeace, 29.08.2020 13:30, PUBLIC-DOMAIN
Tibetan Monks Chanting at Gyuto Branch Monastery House No. 422, McLeod Ganj by Samuel Corwin from album Selected Field Recordings from India and Nepal, Volume II (Religious Music) 18.03.2016. CC By Attribution
Agata Zelechowska
Tejaswinee Kelkar
